1960s tv series clutch cargo - Bookshelf
How 800Pound Gorillas Talk Less and Do More Clutch Cargo was an animated American television series produced by Cambria Studiosinthelate 1950s andearly 1960s. Done ona very limited budget, the show chronicled the adventures of a ...
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Smart insight and best practices for achieving sales excellence in any market The proverbial 800-pound gorilla is the monster in the room that you just can’t ignore, though maybe you want to. In sales, the 800-pound gorilla is that salesperson or company who totally dominates their market, taking more than their fair share of business, and winning time after time. How can you compete with that? More importantly, how can you be that? The 800-Pound Gorilla of Sales uses case studies of individuals and companies who dominate their markets to show you how to become the biggest beast in your particular sales jungle. Combining sales best practices, creative marketing, memorable service, and innovative techniques, this monster of a sales guide doesn’t just show you how to win more business; it shows you how to win almost all of the business. • Includes real-world examples and proven tactics for total sales domination • Written by a professional sales trainer with clients in the NBA, NFL, and MLB, and more than 25 years of on-the-street selling experience • Features actual case studies of individuals and companies that consistently dominate their competition In the sales game, more is always better. This guide will show you how to grab a gorilla-size piece of your market.
Foster's work is among the first to examine this facet of the series, as she examines the female role models—from clever scientists to tyrannical rulers— present across series such as Flash Gordon, Rocky Jones, Clutch Cargo, Space Angel. Foster's work ... they would face in the 1960s and 1970s. The volume's next section, ...
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The heyday of the televised rocketman came before our actual travels in space occurred and was a burgeoning time in TV history. Before astronauts like John Glenn, Alan Shepard, and Neil Armstrong were household names, before the 'one small step' that left America's national footprint on the Moon, and before the wonders of science fiction became the wonders of science fact, battles were fought with Para-Ray guns and Cosmic Vibrators, 'Opticon Scillometers' scanned through walls, heroes in jetpacks soared through the skies, and the universe was full of wonder. The fourteen essays featured here focus on series such as Space Patrol, Tom Corbett, and Captain Z-Ro, exploring their roles in the day-to-day lives of their fans through topics such as mentoring, promotion of the real-world space program, merchandising, gender issues, and ranger clubs - all the while promoting the fledgling medium of television.
Dick Giordano's crisp pencils, ably inked by brother- in-law Sal Trapani, first graced a DC Comics superhero series in this Flash/Doom ... Under the radar of Charlton's management, in the early to mid- 1960s Giordano brokered freelance assignments from other publishers. ... Sal Trapani returned to Connecticut after having worked in Hollywood on the animated TV series Clutch Cargo and Space Angel.
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This volume celebrates the achievements of one of comics' most prominent and affable personalities. Giordano is a rare force in comic books, influential as an illustrator ("Batman," "Wonder Woman," "Modesty Blaise," "Deathmask"), inker (working with Neal Adams, John Byrne, and George Perez, among countless others), editor (for Charlton's legendary "Action Heroes" line, and DC's groundbreaking series of the late 1960s/early 1970s), and editorial administrator ("The Dark Knight Returns," "Watchmen," the Prestige format, and vastly improved creators' rights all happened during his tenure as DC's editorial director).