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Body language lyrics - Body





Body language lyrics - Bookshelf


104 pages

Lyrics Without Music

Creator: Joseph Morales | Music - 2015-03-11

Love might be in your wink or those moves of your hand BODY LANGUAGE needs no words! I understand and if I should kiss you but be mistaken I fear it is your slap that I will risk taking This is BODY LANGUAGE! this language I must learn I'll ...

Publisher: Page Publishing Inc

About this book
 Do you sometimes have those moments where you are extremely astounded and out of words? You knew you have a message for this perfect tune you have just prepared. And you don’t want to end up producing something just because it sounds right to your music. You still want to preserve the identity of your songs conveying particular message and emotion. The human voice is an important instrument in music style, and it needs to have some words to sing. Lyrics without Music is a collection of conversational, poetry-like expressions that can be perfectly used as lyrics for your music. The words written in this book are intentionally formed with syllables that could become rhythms in possible melodies. A collection of various expressions about life and love, even noncomposers may find delight in reading and even singing this book! 



160 pages

Citizen, An American Lyric

Creator: Claudia Rankine | Literary Collections - 2014-10-07

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times ...

Publisher: Macmillan

About this book
* Finalist for the National Book Award in Poetry ** Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award *ONE OF THE BEST BOOKS OF THE YEAR:The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . .A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.



570 pages

The Middle English Lyric and Short Poem

Creator: Rosemary Greentree | Literary Criticism - 2001

'The Instantaneous Harvest and the Harley Lyric Mayden Moder Milde.' Notes and Queries 237 (1992): 150-2, ... 'Alisoun's Language: Body, Text and Glossing in Chaucer's "The Miller's Tale." ' Philological Quarterly 71 (1992): 139-53.

Publisher: Boydell & Brewer

About this book
The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressions of devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definition of the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.


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